Piano Trios by Dvořák, Haydn, & Mendelssohn

Dvořák’s Piano Trio in G minor, Haydn’s “Gypsy Rondo” Piano Trio in G major, and Mendelssohn’s Piano Trio in C minor all incorporate elements of folk music into the Classical piano trio form, each through their own stylistic lens, unique story, and historical context.

In August of 1875, Dvořák lost his newborn daughter within days of her birth, and he composed the G minor Piano Trio four months later, over a course of just 17 days. It was the first piece he wrote following this loss, and it led the way for a burst of brilliant music from Dvořák. The beautiful, flowing melodies in this piece include many elements of Czech folk music. The music can be interpreted perhaps to serve to affirm and celebrate life. Haydn’s “Gypsy Rondo” incorporates Hungarian folk dance rhythms in its final movement, with syncopated accents and asymmetrical phrasing. While it is a Classical work, it is deeply informed by the vernacular music Haydn encountered in Hungary and Austria. Mendelssohn’s Piano Trio in C minor does not quote folk tunes directly but integrates folk-like rhythms in a Romantic style.

Program

• Dvořák Piano Trio in Gm., Op. 26
• Haydn Piano Trio in G, Hob. XV/25, “Gypsy Rondo”
• Mendelssohn Piano Trio in Cm., Op. 66

Louisa Stonehill – Violin, Francisco Vila – Cello, & Nicholas Burns – Piano